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Robin wood on the horror film: collected essays and reviews (contemporary approaches to film and media series) view larger image by: barry keith grant and robin wood and richard lippe.
Robin wood, in hollywood from vietnam to reagan, defines “otherness” as that which violates a repressive society. He argues, “all the others of white patriarchal bourgeois culture-workers, women, gays, blacks-are in various ways threatening, and their very existence represents a demand that society transform itself.
Our understanding of the horror film and indeed of horror studies writ large would simply not be the same without robin wood. This indispensable collection will provoke and inspire viewers and readers of all kinds for years to come.
Robin wood-one of the foremost critics of cinema-has laid the groundwork for anyone writing about the horror film in the last half-century. Wood's interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention.
It all started with reading one of the most important texts on horror film, his 1978 essay 'return of the repressed' in film comment.
Robin wood on the horror film: collected essays and reviews (contemporary approaches to film and media) (paperback).
“from caligari to hitler” had a huge message behind it and from that moment on, horror films were always associated with the ideological or political status of the period. Night of the living dead robin wood was also very important in the periodic development of the genre.
In his latest book, david roche compares the horror films of the 1970s with their subtext and context”, builds on robin wood's famous article, “the american.
The film scholar robin wood defined horror film as when “normality is threatened by the monster. Hyde (1931), the monster often took the form of a literal monster.
Wood’s books include ingmar bergman (praeger, new york, 1969), arthur penn (praeger, new york, 1969), the apu trilogy (praeger, new york, 1971), the american nightmare: essays on the horror film, edited by robin wood and richard lippe (festival of festivals, toronto, 1979), hollywood from vietnam to reagan (columbia university press, new york.
Britton, andrew, richard lippe, tony williams, and robin wood.
Robin wood once wrote that horror films are our collective nightmares. They are our repressed wishes recreated in the image of the loathsome, and the depths.
Cineaction began in 1985 as a response to the rejection of the practice of film forthcoming, robin wood on the horror film: collected essays and reviews.
Robin wood and repression’s role in horror film – connor hagimori the horror film, although seemingly a film genre that appears formulaic and can offer little in terms of critical analysis, actually offers insight into how we as spectators view and react to the often uncomfortable images that make up horror film.
Crisis cinema: the apocalyptic idea in postmodern narrative film (maisonneuve press, 1992). And planks of reason: essays on the horror film (coedited with.
In wood's body of critical work, horror films that depicted evil as innate in humanity, formed a centerpiece of robin wood's monumental work on the horror film.
Dec 31, 2018 well, i've finished reading the new anthology of robin wood's writings on the horror film and will be posting a review shortly.
Aug 29, 2018 film scholar robin wood applies herbert marcuse's theory of surplus repression to the horror genre to explain the significance of the monster.
Robin wood--one of the foremost critics of cinema--has laid the groundwork for anyone writing about the horror film in the last half-century.
In addition to reprinting 17 essays, including robin wood's an introduction to the american horror film, this revised edition features a new essay on the yuppie horror film by editor barry keith grant, as well as an updated analysis of the texas chainsaw massacre by co-editor christopher sharrett.
With errol flynn, olivia de havilland, basil rathbone, claude rains. When prince john and the norman lords begin oppressing the saxon masses in king richard's absence, a saxon lord fights back as the outlaw leader of a rebel guerrilla army.
Robin wood - one of the foremost critics of cinema - has laid the groundwork for anyone writing about the horror film in the last half-century. Robin wood on the horror film: collected essays and reviews compiles over fifty years of his groundbreaking critiques.
May 8, 2020 religion has been and still is a main topic in many horror movies. Robin wood on the horror film: collected essays and reviews, wayne.
Robin wood on the horror film now contains all of wood’s writings from the american nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time.
Edited by robin wood, richard lippe (festival of festivals; 1979). Here was have what may be the most widely discussed yet least read genre study of all time. Readers of non-fiction books and articles about horror cinema have likely seen the american nightmare referenced, as i’m sure have most david cronenberg fans—cronenberg has bitched at length about this book and its editor, the late.
Robert paul wood (23 february 1931 – 18 december 2009) – known as robin wood – was an english film critic and educator who lived in canada for much of his life. He wrote books on the works of alfred hitchcock, howard hawks, satyajit ray, ingmar bergman, michelangelo antonioni, and arthur penn.
'is it a god or is it a monster?' david carradine in cohen's serpent.
Robin wood’s writing on the horror film, published over five decades, collected in one volume. Download robin wood’s writing on the horror film, published over five decades, collected in one volume.
Greg burris; robin wood on the horror film: collected essays and reviews, edited by barry keith grant.
In a number of essays published in the late 1970s, robin wood set the critical agenda for much of the theory and analysis of horror. He offered a structural model of horror, informed by freudian theory, built around a fundamental binary opposition of normal and monstrous.
Robin wood--one of the foremost critics of cinema--has laid the groundwork for anyone writing about the horror film in the last half-century. Wood's interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention.
Robin wood of the village voice praised the film, writing that it vies with night of the living dead (1968) for the most horrible horror film ever. It is, i think, decidedly the better film: more powerfully structured, more complex, and more humanly involved.
Robert paul wood (23 february 1931 – 18 december 2009) – known as robin wood – was an english wood was born in wood began to contribute to the film.
Prices (including delivery) for robin wood on the horror film: collected essays and reviews (contemporary approaches to film and media) by robin wood.
Any film with or about a psychotic murderer would be considered a slasher film, a point voiced by robin wood (wood, 1984: passim). Vera dika takes issue with wood on this account, noting that he assembles his body of works on the assumption that these are low-budget horror films based on psychotic killers.
Robin wood was born on february 23, 1931 in richmond, surrey, england as robert paul wood.
Dec 19, 2009 the horror film presents disorder as a monstrous threat to bourgeois norms, yet it can become a powerful force in questioning those conceptions.
Films listed below as selected by the late distinguished british-canadian film critic for sight and sound polls.
Robin wood (1931–2009), born robert paul wood, was the canada-based author of several books of film criticism, including volumes on alfred hitchcock, howard hawks, ingmar bergman, and arthur penn. Wood was also a member of the editorial collective that publishes the magazine cineaction.
In sum, robin wood on the horror film: collected essays and reviews is worth reading and provides an excellent resource for everyone interested in horror film, genre studies, or film criticism.
The first psychoanalytical analysis of the horror genre, put forward by scholars margaret tarratt and robin wood during the 1970s, revealed that monsters are metaphoric embodiments of repressed.
Robin wood's approach to horror is characteristic of his criticism more generally, in its capacity to directly address and unravel concerns central to the experience of film. In an attempt to echo his characteristically straightforward manner i will start with a list of the key elements of his extraordinary influence on horror criticism.
In 1979, the critic robin wood (collaborating with richard lippe) organized the american nightmare, a special retrospective at the toronto international film festival (then the festival of festivals) highlighting what he saw as evidence that “the true subject of the horror genre is the struggle for recognition of all that our civilization.
Sep 15, 2014 in his article, “an introduction to the american horror film” (1979), robin wood maintains that the monster, in this case michael meyers from.
Robin wood on the horror film: collected essays and reviews by wood, robin.
Robert paul wood, known as robin wood, was an english film critic and educator who lived in canada for much of his life. He wrote books on the works of alfred hitchcock, howard hawks, satyajit ray, ingmar bergman, michelangelo antonioni, and arthur penn. Wood was a longtime member - and co-founder, along with other colleagues at toronto's york university - of the editorial collective which publish.
Robin wood on the horror film: collected essays and reviews contemporary approaches to film and media studies: amazon.
Robin wood on the horror film for the first time this gathers together most of robin wood’s writings about the horror genre. His work as a film critic and theorist was inspired and launched by the influential cahiers du cinéma journal that identified and celebrated the work of directors who put their own stamp on their films.
Robin wood is the author of several books, including hollywood from vietnam to reagan (columbia university press, 1986) and hitchcock's films revisited (columbia university press, 1989). He is a founding member of the cineaction editorial collective.
First, the influence of robin wood's “an introduction to the american horror film” on the scholarly study of horror cannot be overestimated, but even so it is noteworthy how few critics have followed up on his stated connections between surrealism and horror.
In an introduction to the american horror film, robin wood’s introduction underlines two repressions, the basic repression and the surplus repression in order to understand how these two types of repression help grasp an understanding of how society has constructed itself and how the horror genre plays a role in these concepts.
Robin wood on the horror film now contains all of wood's writings from the american nightmare and nearly everything else he wrote over the years on horror-published in a range of journals and magazines-gathered together for the first time.
A---ug---u--------st-- ---1-5-,----- -2-0-1-5-- “[the reactionary horror] films fall into two partially distinguishable categories, answering to two partially distinguishable cultural needs: the violence against.
Writing in 1976 for film comment, critic robin wood established much of the framework that would influence the analysis and writing about contemporary horror films. In his article “return of the repressed” from 1976, wood wrote, five recurrent motifs (frequently interlinked) dominate the american (or american-influenced) horror film from.
Robin wood was the principal of the rebuilt sunnydale high school in 2002. A freelance vampire hunter, he for a long time sought revenge on the death of his mother, the slayer nikki wood, killed by spike in 1977. Robin became an ally of the scooby gang in their fight against the first evil and, after surviving the battle at the hellmouth, leader of the cleveland squad in the slayer.
The first edition helped legitimize academic writing on the horror genre by including robin wood's an introduction to the american horror film, this revised.
Robin wood, that great analyzer of screen frissons, once noted that “terrible buildings” were the recurring theme in the films of georges franju, and perhaps none is more terrible than the mansion-clinic presided over by prof. Genessier (pierre brasseur) in the french surrealist’s masterpiece eyes without a face.
Mutation in rabid the overt sexual element in cronenberg’s horror makes those early films distinctly uncomfortable viewing because it undermines what is generally viewed as an essential source of pleasure. This was one of the chief points in robin wood’s critical arguments against cronenberg.
In the case of the horror film, arguably the most influential of those writings have been the ones by canadian film scholar robin wood. Few genre cri tics have managed to avoid referring to wood's introduction to the american horror film in one way or another, and many have used it as their point of departure.
Robin wood on the horror film: collected essays and reviews by robin wood there are moments when you are simply in the mood for a biting, erudite gay film critic. Here is robin wood on wes craven’s 1980s oeuvre: “wes craven’s career has achieved a certain consistency, in that each of his films since last house on the left has been worse.
Meanwhile, stephen neale and others argue that horror film monsters are predominantly defined as male, with women as their primary victims: “in this respect, it could well be maintained that it is women’s sexuality, that which renders them desirable-but also threatening-to men, which constitutes the real problem that the [sic] horror cinema.
Robin wood on the horror film collected essays and reviews wood, robin;grant barry keith;lippe, richard wayne state university press 2018.
But the chase is hardly the most obscure film that robin wood covers in detail in hollywood from vietnam to reagan. In fact, the most intriguing and brilliantly conceived chapters of the book focus on the psychological meaning that can be derived from low-budget horror films ranging from i walked with a zombie to it’s alive.
Tips to elevate your hybrid or virtual sales strategy; march 12, 2021.
Robin wood on the horror film: collected essays and reviews (contemporary approaches to film and media studies) robin wood.
Robin wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin wood on the horror film: collected essays and reviews compiles over fifty years of his groundbreaking critiques.
Robin wood's writing on the horror film, published over five decades, collected in one volume. Robin wood-one of the foremost critics of cinema-has laid the groundwork for anyone writing about the horror film in the last half-century. Wood's interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention.
Deftly combining marxist, freudian, and feminist theory, wood’s prolonged attention to classic and contemporary horror films explains much about the genre’s meanings and cultural functions. Robin wood on the horror film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.
(warning: spoilers ahead) this was my initial reaction upon watching triangle (2009), a film directed by christopher smith. In more ways than one, i would like to say that this is one of the more interesting horror films that i have watched, especially since i entered the movie with no idea of what to expect.
This month we asked critic robin wood—whose books include hitchcock’s films and hollywood from vietnam to reagan and who recently wrote essays for the criterion releases the furies and le plaisir—to pick his ten favorite films in the collection. Newly retired from teaching, wood told us he intends to spend the remainder of his life.
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