Download Racial Worldmaking: The Power of Popular Fiction - Mark C Jerng | ePub
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Black mirror: the cultural contradictions of american racism lovable racists, magical negroes, and white messiahs racial worldmaking: the power of popular fiction.
It is shown that modern bourgeois power of mythmaking through writing cannot be detached from racial bourgeois-capitalist worldmaking, or from the production.
We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named “racial worldmaking” because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons.
He has just finished a second monograph titled racial worldmaking, forthcoming from fordham university press in 2017. This project reads race in popular genre fiction such as fantasy and science fiction in order to understand the different ways that racial structures organize everyday life.
Worldmaking: working through theory/practice in design shana agid shana agid is an assistant professor in art, media + technology at parsons the new school for design. Her work focuses on relationships of power and difference, particularly regarding sexuality, race, and gender in visual and political cultures.
Jerng is an associate professor of english and the director of graduate studies at the university of california, davis. His research on critical race studies and popular fictions of science fiction and fantasy will be published in his forthcoming book, racial worldmaking: the power of popular fiction (fordham university press, 2017).
Using dramaturgy, autoethnography, psychoanalysis, and critical race theory, dorinne kondo argues that performance shapes race in worldmaking: race, performance, and the work of creativity. She stakes a claim to creativity as work that can imagine new ways of existing, but also reify the status quo and drain minoritarian life force.
Jun 7, 2019 worldmaking: race, performance, and the work of creativity by dorinne kondo blends theory and practice as it examines race-making.
Dorinne kondo, worldmaking: race, performance, and the work of creativity (duke university press, 2018) • among the most important and potentially far-reaching books of the last few years. The book blends kondo’s scholarly training as an anthropologist with her longstanding professional practice as a dramaturg alongside her creative.
Nov 29, 2019 as the responses note, a central aim of worldmaking after empire is to recover developed an account of empire as unequal integration and racial hierarchy and its emphasis on arbitrary power elides other dimensions.
Malcolm's worldmaking practice: reclaiming his local and global legacy. Event details: columbia university’s center for the study of muslim societies in partnership with the shabazz center put forth a discussion highlighting malcolm x’s enduring vision at the intersections of black radical power, islam and global anti-imperialism.
Nov 6, 2019 worldmaking: race, performance, and the work of creativity.
“internalized racism,” he writes, “is the real black on black crime. ” kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed).
Review of racial worldmaking: the power of popular fiction, by mark jerng, fordham up, 2017. “worlds will live, worlds will die: crisis on infinite earths and the anxieties and calamities of the comic-book event.
Race-making occurs backstage in the creative process and through economic forces, institutional hierarchies, hiring practices, ideologies of artistic transcendence, and aesthetic form. For audiences, the arts produce racial affect--structurally over-determined ways affect can enhance or diminish life.
Monograph racial worldmaking: the power of popular fiction, however, is refreshingly mind-bending. Jerng points out that one of the key signs that tagomi reads in this moment is the racial politics of a lunch counter—an especially meaning-laden symbol in american history.
Racial worldmaking moves beyond disciplinary conventions to apply lessons learned from critical race theories and advance vital lines of inquiry inaugurated by black and asian american intellectuals. —andré carrington, author of speculative blackness: the future of race in science fiction.
And the project is comparative and relational not only because the racial state produces its subjects relationally within the framework of slavery, genocide, conquest and imperialism, and immigration, but also because i want to demonstrate the across-.
In this bold, innovative work, dorinne kondo theorizes the racialized structures of inequality that pervade theater and the arts.
In racial worldmaking: the power of popular fiction, i argue that far from just being a mode of thought predicated on its operations of classification and categorization, race is very much a species of speculative thought - the ways we imagine what could or might happen. The book uses an archive of popular fictions from the late nineteenth.
Her recent book is worldmaking after empire: the rise and fall of self- determination, which shows how african, african american, and caribbean anti- colonial.
Wield a sort of meta-epistemic power; in so far as we wish to resist the ge- 4 for an argument that the logical empiricist rejected racial taxonomies on political.
Adom getachew is the neubauer family assistant professor of political science and the college at the university of chicago. Her research and teaching interests include modern political thought with a focus on the nineteenth and twentieth centuries, the history of international law, theories of empire and race, black political thought and post-colonial political theory.
In worldmaking: race, performance, and the work of creativity (duke university press 2018), dorinne kondo brings together critical race studies, affect theory,.
Worldmaking after empire: rise and fall of self-determination [the] world-wide problems of race. ” but italy hadn’t acted as a defiant rogue power, getachew notes.
Racial worldmaking: the power of popular fiction (comparative theology: thinking across traditions) (hardcover).
Jerng is the author of claiming others: transracial adoption and national belonging and is currently completing a book project titled racial worldmaking.
Boycott, constituted the beginnings of a struggle for racial equality across the world. This book studies the global projects of decolonization black anglo-.
Chapter 3 “coded exposure” from race after technology: abolitionist tools for the new jim code.
Mar 3, 2021 with and remaking 'dune': the limitations of world-making in sci-fi “absolute power does not corrupt absolutely; absolute power attracts the that an unaltered “dune” will merely replicate the same racia.
In worldmaking after empire: the rise and fall of self-determination, adom getachew brilliantly explicates anticolonial nationalism as a project of worldmaking emanating from histories of imperialism, racial hierarchy, and unequal integration into the capitalist world-system.
The recent and unfortunate statement by ford foundation president darren walker, “in defense of nuance,” defends and affirms the condition of domestic warfare popularly known (though misnamed) as “mass incarceration. ” (the “mass” of “mass incarceration” is not an undifferentiated cross-section of the us demography, but is in fact a targeted, profiled.
Racial worldmaking meets the irresistible demand for scholarship that recognizes the central role of perceiving and speculating about race in american literature and culture.
Jun 24, 2019 dorinne kondo, worldmaking: race, performance, and the work of creativity ( duke up, 2018).
Worldmaking after empire: the rise and fall of self-determination by adom getachew getachew presents a sweeping account of the post-1945 decolonization movement, identifying in it not simply an embrace of western norms of sovereignty and self-determination but a revolutionary project aimed at pushing the world in a more egalitarian and anti.
We are taught when, where, and how to notice race by a set of narrative and interpretive strategies. These strategies are named racial worldmaking because they get us to notice race not just at the level of the biological representation of bodies or the social categorization of persons.
It is shown that modern bourgeois power of myth-making through writing cannot be detached from racial bourgeois-capitalist worldmaking, or from the production and reproduction of racial capitalism – a structural and historical nexus of capitalism and racial oppression.
Jul 3, 2017 an experience of ideological hailing, as well as queer world-making. Power as a tool for resistance to racial, sexual, and class disciplining.
Unequal power relations thus always coexist alongside countervailing decolonial forces. Furthermore, worldmaking refers to a practice by which people draw on existing symbolic and material resources, to create new symbolic systems. Decolonizers make worlds when they produce alternative political forms to challenge dominant power relations.
Imagining the future of climate change world-making through science fiction focusing on historical cultures of power and protest on the one hand, or the “ shelley streeby continues a lifelong project of anti-racist archive buildi.
This article, the first of a series, is the beginning of my attempt to codify prevailing black liberation strategies into a simplified blueprint emphasizing the parallel work of personal transformation and collective liberation. As the movement for black lives continues to intensify across the globe, with my beloved nigeria taking center stage in recent news,.
Racial worldmaking moves beyond disciplinary conventions to apply lessons learned from critical race theories and advance vital lines of inquiry inaugurated by black and asian american intellectuals. ---―andré carrington, author of speculative blackness: the future of race in science fiction.
Worldmaking: race, performance, and the work of creativity dorinne kondo's work recalls us to the indispensable power of creative art and action during.
Dick and others, racial worldmaking rethinks racial formation in relation to both african american and asian.
Dec 13, 2020 that's a hell of a point, and to support because you can't exist in a silo.
Jun 24, 2020 her latest book worldmaking: race, performance, and the work of creativity, based on twenty years of participation in theater as dramaturg,.
“worldmaking is a stunning contribution to discussions of racial representation, affect, ethnography, and practice-led research in our post-racial world. Working to ‘defamiliarize’ american theatre for artists and scholars, the book re-evaluates the dichotomies of theory/practice, artistic passion/compensation, and resistance/complicity.
Dec 27, 2018 race-making occurs backstage in the creative process and through vivid vignettes, and kondo's original play, worldmaking journeys from an face: performing race in fashion and theater and crafting selves: power.
When it comes to race and racism, we are always talking about transnational, historically, epistemically, and spatially connected social processes, and – as getachew rightfully highlights – ‘worldmaking’ processes of inequality require equally global solidarities and projects of resistance.
It is only historians and others who bring in their current racial ideological.
When does racial description become racism? critical race studies has not come up with good answers to this question because it has overemphasized the visuality of race. According to dominant theories of racial formation, we see race on bodies and persons and then link those perceptions to unjust practices of racial inequality.
Dec 2, 2020 the disparity is profound: had black americans died of covid-19 at the same rate as white americans, more than 22,000 black americans would.
Worldmaking: race, performance, and the work of creativity - a book talk by dorinne kondo nyu tisch school of the arts provides reasonable.
Worldmaking after empire: the rise and fall of self-determination international racial hierarchy and articulated alternative visions of worldmaking.
She brilliantly reminds us of the power of the theater, and of the real responsibility that comes with that power. — oskar eustis, artistic director of the public theater “worldmaking is a stunning contribution to discussions of racial representation, affect, ethnography, and practice-led research in our post-racial world.
The death of race: building a new christianity in a racial world.
At one level worldmaking is an ethnography of backstage creative labor within historical political economies, where artists make and unmake race.
It is shown that modern bourgeois power of mythmaking through writing cannot be detached from racial bourgeois-capitalist worldmaking, or from the production and reproduction of racial capitalism – a structural and historical nexus of capitalism and racial oppression.
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